Selina Tusitala Marsh, New Zealand Poet Laureate 2017–2019

Selina Tusitala Marsh, 2013. Emma Hughes Photography

Selina Tusitala Marsh is a Pasifika poet-scholar of Samoan, Tuvaluan, Scottish and French ancestry who lives on Waiheke Island. She was the first person of Pacific descent to graduate with a PhD in English from the University of Auckland, and her 2004 doctoral thesis – entitled Ancient banyans, flying foxes and white ginger: Five Pacific women writers – focuses on the first Pacific female poets to be published in English. Tusitala Marsh asserts that literature was an integral vehicle for the empowerment of Pacific women and children in the largely male-dominated post-colonial era: 'Poetry was used as a political voice. These women were all quite remarkable boundary-breakers.' She is now an Associate Professor and lectures at the University of Auckland, specializing in Māori and Pacific Literary Studies and Creative Writing.

Selina’s poetry has been published in over 70 national and international anthologies, academic books, literary and scholarly journals and on various notable literary websites.  Its multicultural appeal is evident; since 2005 she has been invited to take part in over 140 poetic performances, has led over 110 workshops for community and professional organisations, spoken and mentored at over 45 schools and delivered over a dozen keynotes at literary and community events.
Selina’s first collection of poetry, Fast Talking PI (Auckland University Press, 2009) won the 2010 NZSA Jessie Mackay Best First Book Award for Poetry, and it made the top 5 Best Sellers List shortly after publication. Albert Wendt wrote in praise of the book: 'A new generation of poets has emerged in Aotearoa and the Pacific. Most of that generation are women, and Selina Tusitala Marsh, in this, her first collection, shows she is one of the most gifted and influential members of that generation.’

Cathie Koa Dunsford wrote in the Australian Women’s Book Review, ‘She peppers her poetic narrative with the rhythms and staccato of urban hip hop beats, in tune with slick contemporary themes and voices, showing her and their disregard for the romanticisation of the past and for the politics of the present.’ Nicky Pellegrino writes in the NZ Herald: ‘For Marsh, poetry is an inclusive rather than an elitist art form. She’s particularly enthusiastic about going into schools to perform and encourage students to find their own poetic voices.’

In Dark Sparring (Auckland University Press, 2013), her second book of poems, Selina combats family loss — specifically, her mother’s cancer diagnosis and long journey to recovery — with all the techniques of poetry, ritual and Muay Thai kickboxing that are at her disposal. Dark Sparring has been quoted as ‘an appealing voice, a strong right hook and an affecting, rhythmic heart.’ In her review for the NZ Listener, Lynley Edmaedes wrote that Marsh’s poetry ‘navigates mourning without sentimentality, the vernacular without cultural cringe, and tackles some of the big questions of Pacific diaspora with wit, bravery and poetic and personal integrity. And the result is superb. This collection puts Marsh at the vanguard of contemporary Pacific literature and cements her place as one of the most important poetic voices of her generation.’

Passionate about all poetry, especially that by Pasifika peoples in New Zealand, the Cambridge University Press recently published Selina’s chapter on this subject in A History of New Zealand Literature (ed. Mark Williams, 2016), titled 'Nafanua and the New World: Pasifika's Writing of Niu Zealand'.  Her poet-scholar efforts are currently focused on writing a book about first-wave (1974–2017) Pacific women poets.

Her most recent book, Tightrope (Auckland University Press) was launched on National Poetry Day, 25 August 2017.

Recent highlights


Media links and clips about Selina Tusitala Marsh  

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