Korekore Rawea: Karakia (Low energy)

When we close our eyes
in mihi to the divine
it makes us feel our tūpuna
our whenua
that we all
take a breath
in thanks
we shall not hate
that we will, love
reach out
and support one another
in shared
karakia

 — Robert Sullivan

 (from Hopurangi Songcatcher: Poems from the Maramataka. Auckland University Press)

 For this poem, apart from the spiritual blessing of karakia, and its power to heal, I was also thinking about the Palestinian doctor, Izzeldin Abuelaish and his book I Shall Not Hate. I had the privilege of meeting him during an Auckland Writers’ Festival. His message of reconciliation is powerful.

Welcome to Robert Sullivan, our new Poet Laureate

The National Library is delighted to celebrate National Poetry Day by announcing Robert Sullivan (Ngāpuhi, Kāi Tahu) of Ōamaru as the New Zealand Poet Laureate for 2025-2025.

Robert Sullivan, New Zealand Poet Laureate. Photo supplied. 

Gina Smith, Acting Te Pouhuaki | National Librarian described Robert’s appointment as recognition for a distinctive and important voice of poetry in Aotearoa New Zealand. ‘Robert amplifies Māori and Pacific voices in thoughtful engagement with complex cultural narratives. He has great standing as a poet, teacher and scholar, he holds considerable māna and leads with grace and humility.’  

On learning of his appointment as Poet Laureate, Sullivan reflected, ‘I’m very grateful to receive this laureateship. It recognises the continuum of Māori poets who are publishing such rich, vibrant work. There are too many to name all of the Māori poets writing, composing and performing today but they inspire me through seeing our tupuna in their soulful words.

Many poets and writers helped me with my poetry and writing, and especially Maualaivao Albert Wendt, Michele Leggott, Anne Kennedy and Witi Ihimaera, but it’s my mum and dad who did the most. This is such a great boost. I stand on their shoulders, and the shoulders of all our tūpuna, Māori and Pākeha.

I’d like to mention the poets who have passed away who inspired me too, especially Hone Tuwhare, Alistair Te Ariki Campbell, and Keri Hulme.’

From its inception as the Te Mata Estate Winery Laureate Award in 1996 through to 2007 the Laureates were Bill Manhire, Hone Tuwhare, Elizabeth Smither, Brian Turner and Jenny Bornholdt. Since 2007, when the National Library took over the appointment of the Poet Laureate, the Laureates have been Michele Leggott, Cilla McQueen, Ian Wedde, Vincent O’Sullivan, CK Stead, Selina Tusitala Marsh, David Eggleton and Chris Tse.

The value of the New Zealand Poet Laureate Award is $150,000 over the three-year period. The Laureate receives $40,000 per year, with the balance held by the National Library to cover the cost of the Laureate’s tokotoko, and to support their travel and participation in literary events.

Biography

Robert was inspired by his schoolteacher in Year 6 (Standard 4) at Onehunga Primary School, Mrs Nair, to write poetry. “She got the class to lie on the school field and write poems about clouds. My cloud poem was about an alligator, and a boy lying in the grass watching it glide by. It made me realise that a poem could take me somewhere else, to another world, and I could write it.”

Robert Sullivan’s nine books of poetry include the bestselling Star Waka (Auckland University Press, 1999), reprinted five times, translated into German (Mana Verlag), and short-listed for the Montana New Zealand Book Awards (2000). His newest collection of poems, the bestselling Hopurangi / Songcatcher: Poems from the Maramataka, was shortlisted for the Mary and Peter Biggs Award for Poetry at the 2025 Ockham New Zealand Book Awards.

His epic, Captain Cook in the Underworld was a finalist in the Poetry Category for the Montana New Zealand Book Awards (2003). It is also an oratorio for the composition by John Psathas, Orpheus in Rarohenga, performed by the New Zealand Symphony Orchestra and the Orpheus Choir of Wellington for the choir’s fiftieth anniversary. Robert’s poem ‘Kawe Reo / Voices Carry’ is installed in bronze in front of the Auckland City Library. His first collection, Jazz Waiata, won the Jessie McKay PEN (NZ) Best First Book Award in 1991.

As an editor, he worked with Maualaivao Albert Wendt and Reina Whaitiri on the groundbreaking anthologies of Polynesian poetry in English, Whetu Moana and Mauri Ola. The first anthology won the Montana New Zealand Book Award for Reference and Anthology (2004). He also edited with Reina Whaitiri the major anthology of Māori poets in English, Puna Wai Kōrero which won the Creative Writing category in the Ngā Kupu Ora Māori Book Awards in 2015. His most recent anthology is Koe: An Aotearoa Ecopoetry Anthology edited with Janet Newman (2024).

His poetry appears in numerous literary magazines and journals in New Zealand, the United Kingdom, Australia, Canada and the United States.

Other awards include The Lauris Edmond Memorial Award for a distinguished contribution to New Zealand Poetry (2022), Distinguished Visiting Writer at the University of Hawaii (2001), and the University of Auckland Literary Fellowship (1998).

As well as poetry, his children’s book of Māori myths and legends, Weaving Earth and Sky, illustrated by Gavin Bishop, listed as a Storylines Notable Non-Fiction Book (2003), won the Non-Fiction category and the New Zealand Post Children’s Book of the Year (2003).  

His graphic novel Maui: Legends of the Outcast, illustrated by Chris Slane, was shortlisted for the LIANZA Russell Clark Medal. 

Robert has participated in many writing festivals throughout New Zealand including Kupu: the Māori Writers Festival, the Auckland Writers Festival, Christchurch Word, New Zealand Readers and Writers Week, Wellington’s Verb Festival, Dunedin Writers Festival, Hawke’s Bay Readers and Writers Festival, Northland Writers’ Festival, and Words on Wheels (WoW) in the South Island, and the Honouring Words Indigenous Writers tour of the North Island.

His international festivals include the Frankfurt Book Fair, the Vancouver, Calgary, Mumbai, Honolulu, and Toronto writers’ festivals, and Taipei International Book Exhibition.

He has a PhD in English (supervised by Selina Tusitala Marsh), an MA Hons (supervised by Maualaivao Albert Wendt), and a BA in English and Māori Studies all from the University of Auckland. He also has a Diploma in Library and Information Studies (Victoria University) and a Diploma in Teaching (Waikato University).   Robert studied also at Newmarket Primary, Onehunga Primary, Manukau Intermediate (Royal Oak), and Auckland Grammar.

He worked as a librarian at Auckland Public Library, and the University of Auckland Library. He then worked as an academic focusing on creative writing at the University of Hawaii at Mānoa, Manukau Institute of Technology, and Massey University Te Kunenga ki Pūrehuroa where he is Associate Professor in Creative Writing.

Currently he is President of the New Zealand Poetry Society / Te Rōpū Toikupu o Aotearoa.

Robert belongs to Ngāpuhi Nui Tonu (Ngāti Hau, and Ngāti Manu), and Kai Tahu (Kāti Huirapa ki Puketeraki), with affiliations to Ngāti Raukawa, and Ngāi Tai. He is also of Irish, Scottish and English descent. He lives in Oāmaru on the coastline known as Te Tai o Āraiteuru.

Some final words

If I had to pick just one word to sum up my term as Poet Laureate, it would be: community. Everything that I’ve done or experienced in the role over the past three years has been possible because of people who see the power of poetry to bring people together – whether it’s in a creative writing workshop for students or including a poetry reading on the line-up of a musical festival.

Poetry is written from a poet’s individual perspective and experience, but once their poems are released into the world, in print or from a stage, they take on a life of their own. I’ve seen the spark in people’s eyes when a poem connects with them or they experience poetry in a way that changes their perceptions of what’s ‘allowed’. Whether that spark is a moment of delight or recognition, it’s the unmistakable power of words and storytelling to help us to make sense of ourselves and the world.

We’re so lucky to have a thriving poetry scene in Aotearoa. Visit one of our independent bookshops and you’ll see shelves and tables bulging under the weight of new poetry releases. There are regular open mics, slams and readings in many towns and cities, and plenty of places to find poetry online and in print. Read NZ’s 2025 National Reading Survey found that 32% of adults in Aotearoa have read a poetry book all or part way through in the past 12 months, a significant increase from 25% in 2021. Ka rawe!

However, we can’t take any of this for granted. It’s been a tough time for artists and creatives: funding is scarce, venues are shutting down and audiences are understandably being more cautious with where and how they spend their money. There’s also A.I.’s impact on the creative sectors, which has already highlighted concerns with copyright and ethics. Despite these challenges, none of this diminishes the value of the arts and how they contribute to health and well-being.

It’s been a privilege to travel around Aotearoa and the world sharing my work, connecting with audiences, and promoting the incredible poets and poetry we have in this country. Every conversation, interaction and event has changed my own ideas about poetry and reenergised my love for it.

Although my focus has been on Aotearoa’s poets and poetry, I’ve also met many international poets during my term. I’ve shared stages with people whose work I’ve admired for years, like UK Poet Laureate Simon Armitage, Warsan Shire, Sandra Cisnero and Nicholas Wong, as well as poets previously unknown to me like Andre Bagoo, Babs Gons, Daryl Lim Wei Jie, Felipe Franco Munhoz, Phodiso Modirwa, Kim Moore and Joanna Yang.

Ōrongohau | Best New Zealand Poems 2023 event, Te Papa, August 2024.
Pictured left to right are: Cadence Chung, Jackson McCarthy, Hannah Mettner,
Leah Dodd, Sinead Overbye, Arihia Latham, Chris Tse, Emma Shi,
Isla Huia, harold coutts and Tracey Slaughter

It’s impossible to thank everyone who has supported me during my term, but I would like to mention a few people: Rachel Esson and the team at the National Library for welcoming me as part of their whānau; Peter Ireland for his sage advice and care; Zoe Roland, Reuben Love, David Vieco and everyone who has assisted with the many events we’ve put on; Phantom Billstickers; Jacob Scott; Matahiwi Marae; Te Mata Estate; and Aotearoa’s incredible independent book stores.

I also want to thank the many festivals, event organisers and organisations who have invited me to perform or speak. Thank you for your hospitality and for creating spaces for poets to shine.

To the poets I met on my travels – it’s been a joy to read your work and perform alongside you, seeing first hand the ways you bring your stories and truths into the light.

Finally, I wouldn’t have made it through the past three years without the love and support of my parents, family, friends and colleagues. Thank you for putting up with my absences and for making sure I took time out to recharge.

It’s been an honour to be New Zealand’s Poet Laureate. Nothing could’ve prepared me for the incredible adventures I’ve had over the past three years. I wish whoever steps into the role all the best – I can’t wait to see all the amazing things they’ll do during their term.

Keep writing, keep reading and keep sharing. Poetry can be found everywhere you look, especially where you least expect it. And don’t forget to visit the National Poetry Day website to see what’s happening near you this week.

Until we meet again... mā te wā.

Audience at the ‘(Re)geneartion next: The Poet Laureate steps down’ event. Photo by Chris Tse.